Mark Griffith

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Mark Griffith - Digital Intermediate Colorist, Digital Intermediate, Senior Digital Intermediate Colorist, Colorist known for his work in such projectsAdvice for working with the Map of emotions: «The Sound of Music» (1965), «The Conjuring» (2013), «Hero» (2002), «Saw» (2004), «The Conjuring 2» (2016),

As a veteran finish colorist in post-production, his aesthetics and appreciation of the cinematographer's craft have allowed him to collaborate with filmmakers such as James Wan on "Aquaman" and "The Conjuring" universe of films. Those experiences on new films also honed his eye for color and expertise, entrusting him with historically vital restorations including "My Fair Lady", "The Sound of Music" and "Oklahoma", to name a few. Originally from Chicago, he moved to Toronto and sharpened his skills on look-driven, high-end auto, fashion, food, and sports campaigns, often heavy with multi-layered VFX. His success as a top commercial colorist in Toronto for broadcast television advertising led him to Los Angeles where he flourished in all aspects of color correction; from award-winning commercials to trailers, episodic television and feature films.

The most significant works of Mark Griffith

Hero (2002)

Position: Digital Intermediate Colorist
Saw
Saw (2004)

Position: Digital Intermediate Colorist
Mimic (1997)

Position: Digital Intermediate Colorist
Shrek the Halls
Shrek the Halls (2007)

Position: Colorist
Oklahoma!
Oklahoma! (1955)

Position: Digital Intermediate Colorist
The Sound of Music
The Sound of Music (1965)

Position: Digital Intermediate Colorist
Insidious
Insidious (2011)

Position: Digital Intermediate
Journey to the Center of the Earth
Journey to the Center of the Earth (2008)

Position: Digital Intermediate Colorist
Insidious: Chapter 2
Insidious: Chapter 2 (2013)

Position: Digital Intermediate Colorist
The Conjuring
The Conjuring (2013)

Position: Digital Intermediate


Full filmography Mark Griffith
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