Oliver Scholl

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Oliver Scholl - Production Design, Conceptual Design, Production Illustrator, Conceptual Illustrator known for his work in such projectsAdvice for working with the Map of emotions: «The Dark Tower» (2017), «Venom: Let There Be Carnage» (2021), «Spider-Man: Homecoming» (2017), «Edge of Tomorrow» (2014), «The Man from U.N.C.L.E.» (2015),

Oliver Scholl is a Germany born production designer and artist. An avid reader of science-fiction and non-fiction, Oliver's interest in the merging of art, technology and story began in his teens and continues to inform his work today. At the age of 15, Oliver's first of many illustrations were published in the German science fiction series, Perry Rhodan. He studied industrial design while continuing illustration for advertising and publishing. Early development work for film director Roland Emmerich's Stargate (1994) led to Oliver's transition into the motion picture industry and his relocation to Los Angeles in 1991, where Independence Day (1996) marked Scholl's first american production design credit.

The most significant works of Oliver Scholl

Independence Day
Independence Day (1996)

Position: Production Design
Godzilla
Godzilla (1998)

Position: Production Design
The Time Machine
The Time Machine (2002)

Position: Production Design
Stargate
Stargate (1994)

Position: Conceptual Design
Moon 44 (1990)

Position: Production Design
The Polar Express
The Polar Express (2004)

Position: Production Illustrator
Jumper
Jumper (2008)

Position: Production Design
Bad Boys II
Bad Boys II (2003)

Position: Production Illustrator
Battleship
Battleship (2012)

Position: Conceptual Illustrator
Edge of Tomorrow
Edge of Tomorrow (2014)

Position: Production Design


Full filmography Oliver Scholl
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