Rome, Open City - actors, characters and roles

All actors and their roles in the film "Rome, Open City"
Roma città aperta (1945)
Timing: 1:44 (104 min)
Rome, Open City - TMDB rating
8.012/10
967

Actors and characters

Photo Aldo Fabrizi #126318Photo Aldo Fabrizi #126319Photo Aldo Fabrizi #126320

Aldo Fabrizi

Aldo Fabrizi
Character Don Pietro Pellegrini
Photo Marcello Pagliero #127153Photo Marcello Pagliero #127154

Marcello Pagliero

Marcello Pagliero
Character Giorgio Manfredi aka Luigi Ferraris
Photo Harry Feist #127155
Harry Feist
Character Major Fritz Bergmann
Photo Anna Magnani #126109Photo Anna Magnani #126110

Anna Magnani

Anna Magnani
Character Pina
Photo Maria Michi #56217

Maria Michi

Maria Michi
Character Marina Mari
Francesco Grandjacquet
Character Francesco
Vito Annichiarico
Character Marcello
Ákos Tolnay
Character Austrian Deserter
Joop van Hulzen
Character Captain Hartmann
Carla Rovere
Character Lauretta
Photo Giovanna Galletti #96488Photo Giovanna Galletti #96489Photo Giovanna Galletti #96490Photo Giovanna Galletti #96491
Giovanna Galletti
Character Ingrid
Photo Nando Bruno #126415

Nando Bruno

Nando Bruno
Character Agostino the Sexton
Photo Eduardo Passarelli #126877
Eduardo Passarelli
Character Neighborhood Police Sergeant
Carlo Sindici
Character Police Commissioner
Photo Turi Pandolfini #127156
Turi Pandolfini
Character Grandfather (uncredited)
Photo Amalia Pellegrini #127157
Amalia Pellegrini
Character Nannina (uncredited)
Alberto Tavazzi
Character The Priest (uncredited)

What's left behind the scenes

  • Rossellini began filming the movie two months after the fascists left Rome in June 1944.
  • A real Nazi prisoner of war played a role in the film.
  • Roberto Rossellini, Federico Fellini, and Sergio Amidei began working on the script during the German occupation of Italy. However, in his memoirs, Fellini claims that Rossellini suggested he "participate in writing a script for a film that would later be titled 'Rome, Open City'" only after Rome had been occupied by the Americans.
  • All the atrocities in the film are attributed to the Germans. This was due to the policy of national reconciliation that was relevant in Italy during the filming.
  • After reviewing the film, the distributor refused the contract for its distribution, stating that what he had seen could not be called a film. However, abroad, Rossellini's innovation was "sampled" and duly appreciated. The film had a great resonance around the world, starting a trend for neorealism and making Anna Magnani a star of the first magnitude.
  • The prototype for Pina was the partisan anti-fascist Teresa Gullace, killed by the Germans in Rome in 1944.
  • During the filming of the arrest scene, the fear on the face of Don Pietro was genuine: a man with a revolver from a passing taxi tried to interfere with the "arrest." Aldo Fabrizi shouted, "Don't shoot!"
Did you like the film?

© ACMODASI, 2010-2026

All rights reserved.
The materials (trademarks, videos, images and text) contained on this site are the property of their respective owners. It is forbidden to use any materials from this site without prior agreement with their owner.
When copying text and graphic materials (videos, images, text, screenshots of pages) from this site, an active link to the site www.acmodasi.in must necessarily accompany such material.
We are not responsible for any information posted on this site by third parties.