Rome, Open City - posters, covers, wallpapers

Lots of posters, covers and wallpapers for the movie "Rome, Open City"
Roma città aperta (1945)
Timing: 1:44 (104 min)
Rome, Open City - TMDB rating
8.012/10
967

Posters, covers

Poster to the movie "Rome, Open City" #179969Full HD 1200p
Poster to the movie "Rome, Open City" #179970Full HD 1200p
Poster to the movie "Rome, Open City" #1799712K 1500p
Poster to the movie "Rome, Open City" #751164Full HD 1248p
Poster to the movie "Rome, Open City" #7511652K 1600p

Backdrops, wallpaper

Backdrop to the movie "Rome, Open City" #179961HD Ready 720p
Backdrop to the movie "Rome, Open City" #179962HD Ready 900p
Backdrop to the movie "Rome, Open City" #179963HD Ready 900p
Backdrop to the movie "Rome, Open City" #179964HD Ready 900p
Backdrop to the movie "Rome, Open City" #179965HD Ready 900p
Backdrop to the movie "Rome, Open City" #179966Full HD 1080p
Backdrop to the movie "Rome, Open City" #179967Full HD 1080p
Backdrop to the movie "Rome, Open City" #1799684K UHD 2160p
Backdrop to the movie "Rome, Open City" #751157Full HD 1152p
Backdrop to the movie "Rome, Open City" #751158HD Ready 833p
Backdrop to the movie "Rome, Open City" #751159HD Ready 828p
Backdrop to the movie "Rome, Open City" #751160HD Ready 828p
Backdrop to the movie "Rome, Open City" #751161HD Ready 828p
Backdrop to the movie "Rome, Open City" #751162HD Ready 828p

What's left behind the scenes

  • Rossellini began filming the movie two months after the fascists left Rome in June 1944.
  • A real Nazi prisoner of war played a role in the film.
  • Roberto Rossellini, Federico Fellini, and Sergio Amidei began working on the script during the German occupation of Italy. However, in his memoirs, Fellini claims that Rossellini suggested he "participate in writing a script for a film that would later be titled 'Rome, Open City'" only after Rome had been occupied by the Americans.
  • All the atrocities in the film are attributed to the Germans. This was due to the policy of national reconciliation that was relevant in Italy during the filming.
  • After reviewing the film, the distributor refused the contract for its distribution, stating that what he had seen could not be called a film. However, abroad, Rossellini's innovation was "sampled" and duly appreciated. The film had a great resonance around the world, starting a trend for neorealism and making Anna Magnani a star of the first magnitude.
  • The prototype for Pina was the partisan anti-fascist Teresa Gullace, killed by the Germans in Rome in 1944.
  • During the filming of the arrest scene, the fear on the face of Don Pietro was genuine: a man with a revolver from a passing taxi tried to interfere with the "arrest." Aldo Fabrizi shouted, "Don't shoot!"
Did you like the film?

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