Cabiria

All Nations Bow to This - The Greatest Spectacle the World Has Seen!
Cabiria (1914)
Timing: 2:28 (148 min)
Cabiria - TMDB rating
7.155/10
142
Cabiria - Kinopoisk rating
7.218/10
1274
Cabiria - IMDB rating
7.1/10
4300
Release date
Country
Production
Genre
Drama, History
Budget
$210 000
Revenue
$0
Website
Actors
Carolina Catena, Lidia Quaranta, Gina Marangoni, Dante Testa, Umberto Mozzato, Bartolomeo Pagano, Raffaele di Napoli, Emilio Vardannes, Edoardo Davesnes, Italia Almirante-Manzini
All actors and roles (10)
Scenario
Operator
Giovanni Tomatis
Composer
Artist
Audition
Editing
Short description
Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?

What's left behind the scenes

  • Pilot Giovanni Vidner flew four circles over Rome, showering it with leaflets announcing the film's premiere.
  • Preparing for the filming of the movie, Giovanni Pastrone patented a trolley, "travelling" (Italian: carello), in Italy on August 5, 1912. Simultaneously with the use of the trolley, Giovanni Pastrone first introduced several technical techniques: straight or zigzag movement, movement parallel to the scenery, and approaching and withdrawing the camera.
  • During the filming of the movie, Giovanni Pastrone used 12 arc reflectors of 100 amps each, the brightness of which he enhanced with reflecting screens covered in sheets of tin foil.
  • Bartolomeo Pagano was not a professional actor, but a stevedore at the port of Genoa.
  • The film, and especially one of its characters—the giant Maciste (in the old Russian pronunciation, Matsist)—played by Bartolomeo Pagano, was so popular that it is mentioned in Ilf and Petrov’s novel "The Twelve Chairs": "Hippolyt Matveyevich was nicknamed Matsist in the institution for his great height, and especially for his mustache, although the real Maciste had no mustache at all."
  • Giovanni Pastrone placed glass over painted floors to simulate polished marble.
  • To make Enrico Gemelli appear natural with a false beard, Giovanni Pastrone ordered him to grow his own.
  • According to Jerzy Tęplica, the screenplay was written by Giovanni Pastrone, who signed it under the pseudonym Piero Fosco. Gabriele D'Annunzio merely allowed his name to appear in the credits.
  • Preparing for filming, Giovanni Pastrone patented a trolley, the "travelling" (Italian: carello), in Italy on August 5, 1912. Simultaneously with the use of the trolley, Giovanni Pastrone first introduced several technical techniques: straight or zigzag movement, movement parallel to the scenery, and approaching and receding the camera.
  • The film, and especially one of its characters—the giant Machiste (in the old Russian pronunciation, Matsist) played by Bartolomeo Pagano—was so popular that it is mentioned in Ilf and Petrov’s novel "The Twelve Chairs": "Ippolit Matveyevich was nicknamed Matsist in the office for his height, and especially for his mustache, although the real Matsist had no mustache at all."
  • According to Jerzy Těplice, the screenplay was written by Giovanni Pastrone, signing it under the pseudonym Piero Fosco. Gabriele D'Annunzio merely placed his name in the credits.
Did you like the film?

© ACMODASI, 2010-2026

All rights reserved.
The materials (trademarks, videos, images and text) contained on this site are the property of their respective owners. It is forbidden to use any materials from this site without prior agreement with their owner.
When copying text and graphic materials (videos, images, text, screenshots of pages) from this site, an active link to the site www.acmodasi.in must necessarily accompany such material.
We are not responsible for any information posted on this site by third parties.